The narrative was all but written out. Commercials spoke of the disintegration of the glass ceiling, the female takeover of the world and of the great beyond of space. The dual-female halftime show showed more ass than if both quarterbacks had GoPros on their wrists the entire game. Not that I am against Shakira and…
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Cassie Jaye deserves some sort of medal, award or honor. Sure, it took heroic courage to release The Red Pill. But, all the more impressive was that–though she identified herself as a feminist at the start of the project–she ultimately came to recognize the axiomatic religiosity of radical, second wave feminism; that it is nothing…
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